November 9, 2024 – Bill Burr / Mk.gee (S50 E6)

Cold Opening – A Message from the Saturday Night Live Cast

cast pretends they’ve been supportive of President-elect Trump all along

  • Already from the start of this, I can tell this could be a “somber” cold opening, about how “we’re all in this together” and such. I sure hope it is a fakeout at the start. As that tone is so patronizing, out-of-touch with the rest of the country and just plain unfunny.
  • I got a big laugh from the turn, after an intentionally-somber start about President-elect Trump’s return to the White House, with the revelation that the cast have always been supportive of him. The lines from the cast are good, though the audience is not as much into the cold open as I expected. I am laughing though.
  • OK, the audience is now more lively as Colin, in a rare sketch appearance, is being his usual very funny self speaking of the “lamestream media” and how it covered Trump.
  • A nice way to include the newbies into the cold open.
  • Very funny appearance of a now-jacked Trump, with JAJ keeping up his hot streak this season, which is adding nicely to the silly, self-deprecating feel of the cold open.
  • This solid cold opening comes to a halt as we get Dana taking over another impression from Mikey: Elon Musk. I heard some fans showing concerns the show might be scared of parodying the mogul, but I guess this answers said concerns.
  • A good turn with YMCA leading into the LFNY.

Rating: ***1/2

Monologue

host talks Trump victory, women in politics, Shaq

  • Not only is it awesome to get two standup sets back-to-back, by two of my favorite comedians working today, but that we didn’t get You Know Who as the “voice of wisdom” after an election, for reasons I don’t need to share. Burr, with his usual style, is the perfect choice to tear into both sides post-Election.
  • The part about people not wearing shoelaces on airplanes and the evil pharmaceutical companies is solid, in a typical funny & relatable Bill Burr fashion.
  • This monologue is priceless so far. Bill is having me in stitches in every turn. A much better way to address the Election to both sides, instead of those patronizing, self-absorbed “monologues” the late-night hosts made after the President-elect’s victory. Looking into the mirror a hard, long look, opening the light in your room and seeing how vastly different it is, and in turn, large swaths of this country is, and thus, how it votes, is better than throwing around all sorts of isms, assumptions and conspiracies about why we are now in this place (and this is the last time I’ll get this political in my reviews).
  • The whole women losing against Trump part is having me howling! Bill’s whole bit about “enough with the pantsuit” is practically having me on the floor by now. I know some might find the crass turn here, with “whore it up” line offensive, but I am finding it funny, especially as Bill is relating it to rural voters the Dems consistently lost to Trump these past few elections.
  • The audience isn’t giving this standup set the love it deserves, which is about what happened the first time when Bill hosted, but I’m loving this, even more than his first.
  • Bill is making strong points about both sides and addressing the reality of what happened, and in a clever, solid way, instead of going the bland, emotional appeal. Bill’s talk about how people cannot even decide between two very polar opposite candidates is well-done (and in this part you can tell he isn’t on the Trump side), especially his talk about Trump’s failed assassination attempt. This part is thankfully getting the audience into the set, especially the very funny McDonald’s jokes and the very solid Grinch comparison.
  • I can tell, like the Shane Gillis and Dave Chappelle monologues the past two seasons, this will be divisive (as Burr often is), but I overall loved this. Got my share of laughs and found a lot of it to be very funny. And, like I said before: the more a comedian steers away from my own ethos in their comedy and still makes me laugh, like these three monologues did, the more I enjoy them.

Rating: ****

Rorschach Test

fighter (host) sees crude imagery during Rorschach Test

  • Heidi always has that warmth and maturity in these “Glue” roles she’s been consistently cast in ever since Season 48. With this probably being her final season, I feel she’s been a criminally underrated utility player these past few seasons.
  • Each time I see JAJ in one of these “Glue” roles I just get flashbacks to late ‘80s SNL or even the OG Era. He even looks like Dan a bit in that mustache and wig.
  • Nice way to use two of our newer players, and Emil, much like Ashley, has been a rather comforting presence in sketches already.
  • As someone fascinated with the Rorschach Test, I am already interested in this sketch, even when I can tell it’ll get crass, per usual of SNL of late.
  • OK, I admit getting a big laugh from the visual of Mike Wazowski wearing THAT. Bill’s explanation of the visual is priceless, especially how Mike is presenting himself during the night.
  • This sketch’s getting a bit repetitive, though Heidi (continuing a quietly solid year) and Bill are making it work for me. The whole wife from Up part made me laugh especially.

Rating: ***

Buffalo Wild Wings

Bostonian (host) gets angry during Buffalo Wild Wings shoot

  • Nice to see the return of this Bostonian character of Bill’s from his first episode. And, while a typical Bill Burr moment, I freakin’ howled at his initial angered reaction to the game.
  • Good detail with Heidi wearing a Chiefs costume, considering she’s from KC and a massive fan of the team.
  • Love Bill’s talk about how he “brings tension” in the house and thus watching the game in a bar, him interrupting the commercial in the background was also solid.
  • Love the turn with Bill and Mikey beating each other up, especially the “Real Patriots Fans” disclaimer.

Rating: ****

The Best Of Snake Skin

Snake Skin (AND), (JAJ), (SAS) Greatest Hits are all about sex

  • Emil Wakim has been in every single sketch so far into tonight’s episode. He is coming off his very likable self in this already.
  • Awesome to see another JAJMukes sketch! They always do a killer job together, especially doing yet another musical-based piece. A great addition of Sarah, too. The first time all three been paired together.
  • The sudden musical performance was pretty awesome, especially loving the vocals from Sarah and Andrew – JAJ’s finishing vocals on the first track gave me a big laugh.
  • A good laugh from Emil’s “that sucked” line.
  • Wow, that second vocal performance by JAJ was freakin’ fantastic! He’s easily one of the best singers the show had in ages. Is there anything this guy cannot do?!
  • Bill’s been somewhat stumbly with his lines so far into the sketch, but the parts with him and Emil are likable and performed decently.
  • Sarah’s bug-eyed expression during her high notes is killing me. Great little character detail from her.
  • I am loving all these 80’s references in these songs, while remaining very catchy and fun, especially the famed Berlin Wall quote turning about asking a girl to tear her panties up.
  • An overall very fun, solid sketch. JAJ & Andrew were especially fantastic in this. These two, with Sarah, are the future of SNL.

Rating: ****

The Janitor

janitor’s genius (MAL) gets overshadowed by barf

  • Wow, there’s Emil once again tonight. Pretty dope to see a newbie doing so well so early into his run.
  • Cool to see Michael getting good airtime in this piece, considering the rare big showing he had last week. He’s fitting well into the show’s new, refreshing approach to shorts this season.
  • I imagine this soundtrack is not from SNL. It sounds like the typical great, emotional soundtrack you’d hear from James Horner back in the years when he was alive.
  • Very funny part with Andrew interrupting Michael’s solving of the equation by pointing out the barf he was sent to actually clean. Andrew going loud always makes me laugh – he’s having a great season in general.
  • Very solid dramatic acting from Bowen throughout the short, instead of playing a predictable over-the-top role. This short is a good example of the strengths Bowen has as a performer, even when he at times doesn’t seem to utilize them more often.
  • Solid escalation with the constant reactions towards the barf on the floor.
  • JAJ, keeping his strong season and episode, is doing an absolutely flawless imitation of Robin Williams. I said it before, but outside of his Trump, I don’t think JAJ gets enough credit for being such a strong impressionist in general. Between JAJ’s performance here and Beppo (doing also that impressive robotic voice), nice to see this season keeping JAJ’s great streak in delivering standout pretaped performances.
  • The recreation of the classic Good Will Hunting scene with JAJ is excellent and he brings both warmth and subtle menace in the context of this short.
  • Loved the whole bit with JAJ, especially as we realize he’s been living in the closet and was the one who barfed on the carpet. Him running and tripping from his barf was priceless. A solid way to end this short as a whole

Rating: ***1/2

Calling Dad

parents (host) & (KET) mistake emotional phone calls for trivial matters

  • Wow, a slice-of-life sketch? And in this day and age? my 70s/80s SNL lover is living in heaven by now.
  • Nice to see Devon showing some of his underrated dramatic chops in a piece, especially when talking with his character’s dad, as played wonderfully by Kenan. Kenan’s emotional turn mistaking his son’s call asking about him to have him speaking about the football game emotionally is hilarious.
  • A hilarious part with Bill’s character immediately shutting the phone in the face of his son. This hits with me, as my mom often shuts the phone in my face and others just after a quick exchange. This makes me laugh and kinda making me miss my mom at the moment TBH. (She’s fine, you guys, don’t worry.)
  • I can tell Kenan is cracking up as we switch between his scenes to Andrew/Bill, but it isn’t really distracting from the sketch or anything.
  • The contrast between the Eagles game and the cars between Kenan and Bill are very funny and well-done, especially Bill’s line about their cars getting together and going to Ireland to see their ancestors.
  • An overall perfect slice-of-life sketch. One that combined emotions and genuine silliness effortlessly. This will easily be one of my favorite sketches of this season by its end.

Rating: *****

Musical Performance – “ROCKMAN”

Weekend Update

COJ & MIC talk Trump victory, Kamala Harris, Dems

Woman Who Can’t Find Something in Her Purse (EGN) is too distracted

Willie (KET) offers his thoughts on the 2024 Election

  • Despite my frustrations with this Update era of late, I can tell this post-Election edition of the desk will deliver strongly.
  • Strong start from Colin already, especially the opening about Dems not actually rigging elections, Trump being a GTA character and the part about the Dems probably running Biden again in 2028. The latter was not only funny, but sadly is something I won’t be shocked if Dems do.
  • Loved Colin’s whole bit about VP-elect Vance not being a real Catholic, due to not surviving being an altar boy, where we get a great self-deprecating joke from Colin about disguising himself as a lesbian.
  • Heh, I see Che is already drinking in this edition of the desk. The R. Kelly mention was funnier than it had any right to be, especially that it didn’t go desperate.
  • Nice to see another Ego Nwodim desk piece, considering her decreased airtime this season in general. Her constantly searching her purse, calling Colin girl and general demeanor is already making me laugh.
  • The usual strong Ego Nwodim performance, though Colin is a bit of a flat straight man towards her. Ego’s performance in general is keeping me laughing consistently, especially loving the dark-humored parts with the dead fish and the ballot (from Pennsylvania) being in the purse.
  • A good, funny turn with what Ego’s searching being a smaller purse inside the purse. Loved how Ego also ended her desk piece, making her 2-for-2 so far into the season with solid desk pieces.
  • A great Dunkin’ divorce joke from Colin. Being followed by a so-dumb-but-funny Glad-Dicked joke.
  • Very funny joke from Che about officers finding out which one of them sent the racist text messages to black and brown students. Not even it was ruined by Che’s typical “reacting” to the crowd. The Diddy prison joke following was no slouch either.
  • This Update is on absolute fire so far. Easily some of the best jokes & commentary in quite a long while. That AOL joke is a standout in particular.
  • Willie! Kenan is having a strong showing tonight between this desk piece and the slice-of-life gem preceding it.
  • The contrast between Willie’s cheerful delivery and the darkness of his jokes is as fantastic as always, and Kenan is so damn good at this type of a role.
  • The usual strong dark humor from Willie, with some of my favorites the whole Hide-and-Seek part, the Lorne bit and the priceless genes/drop your jeans wordplay.
  • An overall very strong edition of the desk. Strong jokes, commentaries and some of my favorite moments since probably a few seasons back with these two.

Rating: ****1/2

Bald Guys

bald men sing joyfully about their baldness

  • Like many vets, Mikey barely feels in this season so far. I’m assuming it is a subtle phasing-out of him and other vets in the cast, while the likes of JAJ, Andrew and Sarah are being utilized even more. And, it goes without saying, seeing Mikey and Sarah paired as a couple is so surreal for reasons I do not need to address
  • Right from the get-go, I’m getting a strong early ‘80s feel from this sketch. Not just SNL’s Ebersol era, but also Fridays. In fact, strangely, this sketch feels like the typical brilliance that show used to churn out, such as the classic monks sketch.
  • The oddball visual of everyone in the restaurant being bald is hilarious, especially as the sketch now gets musical. Bowen especially looks hilarious in that wig.
  • Nice seeing lots of JAJ singing this season. He’s one of the show’s best singers in a long time.
  • Love the visual of the overhead shot of Bill, which reminds me of the memorable visual from the Beautiful Boys sketch from last season’s finale (side-by-side comparison below):
  • This sketch is freakin hilarious! Not only very funny, but also silly, strangely endearing and a blast to watch – the JAJ/Bowen singing part with the visual of various bald celebs is a classic. The recurring “bum bum bum” part is also so fun and catchy.
  • Michael is cracking me up so much as the bald monk, even when it’s really a silent role.
  • And we are out! I just loved this piece so, so much as short-and-sweet as it was. Not only a fun throwback to classic times in sketch comedy, but a genuinely silly, well-written and performed piece of absurdist humor. Like my other favorite sketches of late (including that slice-of-life gem earlier in the night), I know this one will have such a tremendous replay value for me in the future.

Rating: *****

Trauma Support Group

traumatized (BOY) cannot share his trauma well

  • There’s Emil and JAJ once again tonight. This is easily the biggest night both cast members had, especially JAJ showing tons of range, stabilizing presence and stellar “Glue” qualities, keeping up his strong year in general.
  • This era seems to love doing so many of these group meeting sketches. Between this, AA Meeting and People Pleaser Support Group, amongst others.
  • Bill is cracking me up as the typical support group leader, especially his dead-on imitation of how they typically speak.
  • The portions with Jane Wickline in them in my copy of the episode are clearly taken from dress (side-by-side comparison below):
  • I assume they felt she delivered her lines better in dress, which seems to be quite an issue with Jane, compared to how effortlessly Emil and Ashley fit into live sketches. (Credit goes to Shawn for the live version screencap above.)
  • Ashley Padilla’s natural resemblance to Nancy Walls is coming off really noticeable to me in this sketch. She also kinda resembles Laura Linney strangely.
  • Bowen’s faux-dramatic delivery is perfect for such a sketch. His typical style of performance fits this sketch so well.
  • Strong delivery and performance from Ashley, and despite being a newbie, she isn’t even looking at the cue cards and coming off a complete natural.
  • Ashley breaking Bowen with her scream is hilarious and easily one of the standout funniest moments from this episode and season. And really raised an already-good sketch to a higher tier.
  • A very endearing visual of Bowen cracking up after the sketch ended. He’s been having some really solid moments in tonight’s episode (and season).

Rating: ***

Musical Performance – “Alesis”

I Got One

Linda (ASP) isn’t good at telling jokes

  • Finally, after a few invisible weeks, Ashley Padilla gets her first major solo showcase. Considering all the glowing things I’ve heard about Ashley from her Groundlings years, I’m excited to see her in this.
  • Very good, layered character work from Ashley, much like how she was so convincing playing Michael Keaton’s wife two episodes ago. Between this sketch and the standout, hilarious moment she had in the prior one, Ashley is having a strong showing and it is about damn time frankly.
  • I have seen some Joan Cusack comparisons towards Ashley in this sketch in particular, and yeah, I definitely am getting those vibes from her, and that’s a promising thing for a newbie to give off. (Reminds me of the Phil/Dan vibes JAJ gave me years ago, and seeing the so-far amazing tenure he’s had, they’ve been proven correct with his output in both lead and support work.)
  • I can clearly tell this piece is from Ashley’s Groundlings work, seeing some of her very few sketches online. Like her other roles, Ashley is showing some strong acting, especially considering this is a silly, dumb sketch comedy show we are talking about.
  • Ashley’s awkward jokes, with them being long-winded, starting also with “four gorgeous dogs” is pretty funny, with good disturbing undertones to them.
  • Strong turn with Ashley giving up on the dinner and wanting to leave, her asking Bill why he is even with her is great.
  • The turn with the rest of the attendants saying the punchline to Ashley’s long-winded joke to her was solid. Impressive first showing for Ashley Padilla and cannot wait to see more of what she’s capeable of.

Rating: ***1/2

Goodnights

  • Wow, I just noticed Chloe wasn’t in any sketches tonight. That’s a big surprise. I imagine all sketches that had her got cut after dress.

Segments Ranked From Best to Worst

Bald Guys

Calling Dad

Weekend Update

The Best Of Snake Skin

Monologue

Buffalo Wild Wings

I Got One

A Message from the Saturday Night Live Cast

The Janitor

Rorschach Test

Trauma Support Group

Final Thoughts:

  • A very strong episode. One of the best in quite some time (and certainly of this so-far average season). Some really inspired, original pieces tonight – being silly, solid and creative, with a few killer, season’s best material (which is a breath of fresh air, considering the many OK/average sketches the past few shows) and a great host in Bill Burr. This episode was also helped by what seems to be a trend this season: great musical performances, this time by Mk.gee.
  • So much of this episode felt “on” with the aforementioned writing, Burr’s monologue, standout cast moments and Update. A fitting return to the show post-election, in a way that doesn’t really pander to any side. And, while I can see those expecting a security blanket episode, with their “favorites” all over the night from the show post-election being disappointed, the daring, inspired path this episode took is what I want SNL to be more of. Not only in the upcoming Trump 2.0 era, but in general. This is a very strong return to form for SNL this season and I had a blast watching & reviewing this episode.

My Favorite Moments of the Episode, Represented with Screencaps:

Up Next:

  • Continuing the season’s killer set of hosts and musical guests, this time in both: Charli XCX will both host and perform music on November 16.

My full set of screencaps from this episode is here

12 Replies to “November 9, 2024 – Bill Burr / Mk.gee (S50 E6)”

  1. Great insights as always! I think Bald Guys and Calling Dad immediately become top 5 sketches for the season. The throwback vibe throughout the ep was exactly what we all needed.

  2. I’m not Bill Burr’s biggest fan, but this was a very solid episode. I actually thought it was more comforting and refreshing to not really focus on the election and the angst, and instead mostly do a lot of silly, slice-of-life, or conceptual sketches. It also felt like the workload was spread out more, so people like Emil and Ashley could do more than usual, and even somewhat underused vets like Ego and Kenan could have standout moments during Update.

    The audience, perhaps not surprisingly, sometimes felt shell-shocked, so a few things like Bill’s monologue (at first) and some of the sketches weren’t getting the reaction I thought they deserved. I liked Bill’s non-election material the best in the monologue.

    In terms of the new cast members, Emil is doing very well so far in blending in–almost too much, as he seems to more easily be a “supporting glue” guy in a way that folks like Longfellow and Marcello and even Dismukes can’t. I’d like to see him get more chances to shine. Wickline runs hot and cold for me–she has kind of a bland delivery, and her overall comedy isn’t for me, but we’ll see what she can do. I really liked Padilla’s performances tonight. It’s tough playing a character who intentionally isn’t funny, but she nailed the awkwardness of the character without descending into the worst of Wiig/McKinnon-type mugging.

    This season’s been all over the place, but I…hope…that now that the election is over, the weakest part of the season (the Kamala stuff) can be put aside.

  3. Cold Open: ***
    Stand-Up Monologue: ****1/2
    Fire Department: ***
    Buffalo Wild Wings: ***
    Power Drive Records: ***1/2
    The Janitor: ***
    Dad Call: ****
    Weekend Update: ***1/2
    Bald Guys: **
    I Got One: ***
    Trauma Support Group: **

    Wow you were REALLY into this one. I don’t really share the same high feelings though.

    I thought it was a pretty good episode overall but not much stood out as great to me besides the monologue and the Dad Call sketch. Those were the only segments that got above 3 and a half for me but that doesn’t mean it was a bad episode, it was just fine. I also had some issues with the second half, specifically the Trauma Support Group sketch. To be honest, I just found Bowen’s performance to be annoying and my only laughs for 2/3rds of the sketch was Bills delivery of “Hey, hey, hey”
    “Hey”

    My only really big laugh was Bowen breaking from Ashley’s scream which was unexpectedly funny.

    That’s all I really have to say to be honest, a good episode, and that’s really it

    6.2/10

  4. Hi. My name is Nic, and my phone also seems to be down to 20% by lunchtime.

    I enjoyed this episode. It had me smiling throughout. I like a good Bill Burr Monologue. It ramped up after the initial bit, when it got into politics.

    I think I agree with your gradings, although, I think I liked the Calling Dads sketch more. This could be one I rewatch when I’m feeling emotional. Dang, it was so good. It wasn’t all out emotional, and they dropped jokes in just when you wanted a good cry. I loved this sketch. The more i think about, the more i wanna tip my hat to whoever wrote it.

    Bald Men was the sketch that Mulaney has been searching for since Lobster Diner.

    I think Ashley is going to be the weird one at the resturant for her entire run – She’s so good at it!

    It was a good episode, and I’m starting to have trouble placing the episodes this season…

    I think its…

    1. Grande
    2. Bargatze
    3. Burr
    4. Mulaney
    5. Keeton
    6. Smart

    But really its three levels

    1-2-3
    4-5
    6

  5. Another great review as usual Blood!

    I too really enjoyed this episode and would wager that it’s easily the strongest episode of this tepid season so far along with Ariana’s. You nailed it when you made repeated references to this feeling like an episode from another era. So many fun, original, silly, and creative sketches. The kind that seem quite rare for SNL these days.

    That Bald Guys sketch is a prime example. Just the type of silly, stupid, and creative sketch that I love. In addition to your comparison to Fridays and Ebersol era SNL, I also detected some shades of Monty Python in it. Dear writers, more of this style please!

    Likewise, the Call with Dad sketch was a great slice-of-life sketch that also had genuine pathos and heart to it in a way that didn’t feel cloying or forced. Even Kenan’s breaking didn’t ruin it for me.

    This was easily the best Update in a LONG time and a good reminder of just how damn good Che and Jost can be (and indeed were) in their prime. Even though I’m beyond tired of them overall and want them to leave, this reminds me that it’ll be a little bittersweet. Strong and at times brutal jokes from both in a way that didn’t feel cringey or privileged or condescending. I enjoyed Willie like usual but Ego’s piece didn’t really do a lot for me. Some chuckles, but it also felt repetitive and the escalation didn’t feel as OTT as it could have been.

    Strong nights for Andrew, JAJ, Emil, and Ashley. Her performance in both the Support Group and 10-to-1 sketches was strong and layered. I’m frankly surprised at how little she’s been used compared to Emil and Jane but hopefully this marks a turnaround. What I liked about the 10-to-1 was that it sort of was similar in terms of overall vibe to the Late for Class sketch with Luke Null. The difference here was that the setup and introduction made it crystal clear that Ashley’s character was supposed to be cringey and annoying (and she pulled it off very well). Whereas the Luke sketch just felt plain awkward even if I did enjoy it once the twist was revealed.

    Bill Burr, once again, was a great host. He really brought a strong, consistent, and fun vibe to the whole episode. Let’s hope this marks the beginning of an improvement for this season now that the election is over!

  6. Haven’t watched the full ep because I’m on a beach in Maui doing better things, but of the two segments I have seen (CO and monologue), I have to say…THANK YOU Blood, for getting it. I saw some live reaction to the monologue on Reddit and IG and it was so aggressively sanctimonious it made me kind of sick. I thought we were through with that era of comedy reactions, but here we are. But I guess this last monologue made clear in no uncertain terms that SNL’s audience is terrible for comedy.

    Yes, sometimes comedy can be a little retrograde, but shit, sometimes it’s fun (and even harmless) to be retrograde.

  7. I was surprised when I found out that Bill Burr was hosting the post election episode and not Chappelle. He and Burr are two of my favorite comedians of all time, so I’m glad to see that he delivered. I watched the live version and the episode on peacock. In trauma support group, the live version has Bowen putting out a cigarette on Burr and Burr looking to the camera confused. Great Review!

  8. That Buffalo Wild Wings spot would’ve been a 1/2 point better if they found a way to incorporate the Talking Buffalo in the actual commercials (who just Happens to be voiced by SNL alum Beck Bennett).

    Otherwise, I thought the episode was pure catharsis–The opening felt like ripping the band-aid off; and the rest of the show felt like a relief; like you KNEW they had to respond to things, but thankfully they don’t belabor the point; and the show thrives because of it…I hope it can last the next 4 years.

  9. Thanks as always for all your hard work on these reviews and for being a voice in the wilderness.

    The cold opens first five episodes felt like the show desperately trying to stay in its own ever-shrinking bubble. This week, the bubble was no more.

    As soon as this episode was over I had a feeling it would only get notice for the first two segments, and not very positive attention at that.

    This is where I have to be careful because it would be easy to lapse into telling fans they just can’t accept a lack of a safe space. There are people who don’t watch SNL for those reasons and still didn’t think much of last night’s episode. I need to respect that.

    I also understand that there are people who may not tune into SNL for reassurance and still felt offended by Burr’s monologue. I am not entirely sure how I feel about the monologue – as soon as he got into the political elements I started to zone out, and I didn’t think he did a great job with those aspects in 2020 either (the gay pride jokes) – but it’s not my place to tell people to get over their feelings. I don’t think any of the standup monologues this season have entirely worked, for various reasons.

    I do think since 2016, and namely through the prominence of Kate and Cecily, SNL has invited many viewers to see the show as a beacon of comfort, when traditionally the show was rarely used for that purpose (barring a cast member’s death or 9/11). That can’t last forever, and it’s been extremely clear since early season 49 that the show has been trying to move on. This is yet another reason the Kamala Harris cameo was a mistake for the show, however you feel politically, because it reset viewer expectations to the “resist” era.

    I saw someone talking at length about the race, gender, and sexuality of most of the cast in the cold open and assailing the show for not addressing the struggles they will face. 1) That’s not SNL’s job and it never should have been. 2) All of these cast members, aside from Kenan, joined after the infamous Trump episode. That doesn’t mean they should be ill-treated by the show, but they knew what SNL was and chose to take the opportunities along with the struggles. I find it very patronizing to assume they are waiting for the show to give them a bear hug.

    SNL had put itself in a no-win situation when it comes to Trump coverage. Under those circumstances, the approach taken to just beg forgiveness, while also making their disdain clear, was probably the best they could do (beyond saying nothing at all, which would have also been fine, but not likely). I would have trimmed the repetition, and Dana-as-Musk (although Musk having a tantrum makes me happier it was kept in, at least this one time), but otherwise I have no complaints. Will I call the show out if they go back to the norm next week? Yes, I will. Until then I’ll cling to the hope that they don’t.

    I was more open to being generous to this episode due to the relative absence of cameos and the shift to interesting concepts rather than empty nostalgia or stale camp. When the leadoff sketch was the usual wacky/sleazy template I thought this would be good enough. I’m glad I was able to enjoy the episode even beyond such low expectations as they put out a number of pieces I thought were not only genuinely creative, but well-executed. The calling dad sketch and the bald guys sketch were two of my favorite sketches in the last few years, the former executing a clean slice-of-life approach not weighed down by cheap jokes, the latter managing to execute sheer whimsy without any of the dead or extremely sloppy feeling these moments often have. The assurance in both these moments were among several that reminded me of SNL from the ’80s or ’90s, along with Ashley Padilla’s very fearless performance in the final sketch.

    Even sketches I didn’t think were executed all that well still had some moments I enjoyed, namely the band sketch, where Sarah, JAJ and Andrew got to just have fun – real fun, not vamping and mugging in their underwear. Sarah is so much more at home with them than she was last season when she was trying to kick corpses to life in Fowlie sketches.

    This season hasn’t brought everything together, but one positive, which was on display this week, is how they are finally starting to allow the cast to perform what suits them, not what they or the show think they should do because it will make them a star or because a former cast member did the same.

    Chloe’s absence (which I did not even notice until it was pointed out to me) and the clear phasing out of Ego and Heidi contributed to the situation which seemed to make a number of viewers uncomfortable – the male cast being so prominent. This has been a long time coming and is why overhyping one gender over the other in the cast, as some did in the Kate/Aidy/Cecily era, is silly.

  10. Finally got around to this one. Better late than never. In fact, it’s probably best I don’t chime in til late because the threads usually die off when I start piping in.

    Anyways…good show! Very good, even. What is interesting about the episode is that it was a generally consistent episode, but without much help from the audience who really seemed quite audibly (or inaudibly) nervous when the political stuff came up. You can hear the tension in the Cold Open (a well-executed pivot away from the expected), Update (I can still feel Che’s tension when the jokes don’t crush) and the monologue. Back to the monologue – I’ll try to steer away from the cranky old man routine and just say that I kind of get it. While I generally like Burr, he’s not necessarily my favorite and his method of saying the most off-side thing and then trying to comedically justify his take can be hard to work through for some people. But it seems that the standup monologue has been tricky business throughout 2024. What gives? We can chalk it up to four very good to great standups (and Ramy Youssef) all collectively failing at their craft or the possibility that the SNL audience is just not really a good barometer for standup. I actually don’t know what the answer is, but I do know that when watching standup on SNL, it’s basically up to me to decide what is funny. The audience is just not playing along. I think each of the four standups (and Ramy) gave better than they received back, but had a fatal flaw. Gillis, who I thought did the best, recycled some material, which I think dulled some of his monologue’s impact. Bargatze stayed with the B+ material. Mulaney still can’t find a foothold into his domestic self. And Burr…I think Burr had to deal with an albatross topic and did it the only way he really knows how – caustically and with an eye towards alienation. I think some of it worked, I think some of it didn’t. The audience was not really on board. Lots of people were offended as is the way it always must be for those people.

    Anyway, I agree with the consensus that Calling Dad and Bald Guys were the highlights of the night. Calling Dad just had those beats of relatability (Burr hanging up the phone) and then just the perfect degree of heightening the reality-based absurdity. Just a really-well executed piece overall.

    The joy of the Bald sketch is how little the sketch tried to justify itself. Heck, even the explanation portion of the sketch felt like it was just winking at the idea of sketchsplaining. Instead, they just jumped into the song – no reason given, no time to explain, no real context…no complaints from me.

    Nearly up there was Ashley Padilla’s showcase, which really gave a glimpse at her handle on barely suppressed suburban mom/wife shame and rage. A great little feature piece for her.

    I enjoyed the fire hall sketch probably a hair more than you. It was definitely well-trod formatting, but it felt like a really enjoyable game. I tire of the way sketches like these are framed and delivered, but the execution was beyond what it needed to be.

    The Janitor film was generally good work. I was going to complain that it lacked a cohesive focus but that would have been wrong. It was very focused, in fact, it just felt, I don’t know, shaggy? Good performances by all involved though.

    Snake Skin was a hoot. Once again, not the most interesting framing, but seeing Andrew, JAJ and Sarah go full goofy was worth it. On a more interesting show, these characters return in a completely different format.

    Buffalo Wild Wings was a worthy sequel to a decent sketch, nothing more, nothing less.

    Support Group was trash, but trash that made me laugh anyways. Not too shabby for what was easily the worst segment of the night.

    So yeah, I had fun. I think it was probably a tough task for both the cast, writers and audiences and that would partly explain why the audience was hesitant throughout (I feel like they kind of cratered Update, to be honest) and the reviews have been tepid at best. I haven’t read Perkins’ take because I don’t know why I would punish myself, but the toxic response on Reddit really seems to confirm that even though I am outside of what a lot of the wide audience wants from SNL (“More Domingo!” apparently), the show can still deliver a show that I can personally find fascinating. Instead of trying to deliver some kind of catharsis for an audience of low-capacity liberals, the show just put its head down and did some silly comedy. I’ll take it!

Leave a Reply

Discover more from Blood’s SNL Reviews

Subscribe now to keep reading and get access to the full archive.

Continue reading

Discover more from Blood’s SNL Reviews

Subscribe now to keep reading and get access to the full archive.

Continue reading