Cold Opening – College Presidents Hearing
Elise Stefanik (CHT) takes over congressional hearing
- Are we still really doing these C-Span cold opens? That tradition should’ve went away with Downey a decade ago.
- I’ll admit getting a laugh from the Taylor Swift/Marco Rubio joke at the start.
- Nice to see Molly getting a semi-big role right from the episode’s start, considering the terrible season they’ve been having in terms of airtime and usage.
- So, we are covering the Anti-Semitism hearings with the Ivy Colleges’ presidents? I’m not too familiar with this incident but read enough about it to “get” this cold opening. (Thanks also to fellow SNL reviewer John for sending me an article about the incident.)
- Feels odd seeing Chloe Troast in the context of this cold opening, as the show seems to be utilizing her previous to this episode in roles that I cannot think anybody else could nail in the current cast. I guess this role is another testament to Chloe’s range as a cast member. I wish she would get better dialogue, though.
- Man, this cold open is really dying during the whole portion with Troast, despite the committed performance. I’ve been greatly enjoying Chloe in her debut season, but the combination of her being new to the audience, poor writing and an audience filled with stans who are usually very tough on SNL’s cold opens (not that I blame them) is making this portion of the open, which is getting crickets, a very tough watch.
- Apparently, Cecily Strong played Elise Stefanik whom Chloe is playing here. Yes, dear readers, CECILY STRONG came back for a cameo playing a wacky Republican lady. I wonder what happened for Cecily to suddenly pull back and not appear in this cold open.
- Kenan’s bit near the end of this cold open is the funniest part here and is helping elevate this otherwise endless, poorly-paced cold opening. This feels like the usual fun, laid-back Kenan performance we usually would’ve gotten a few seasons ago. Thankfully, Kenan greatly improved this year.
Rating: **
Opening Montage
- Due to not having a PDD short this week, they are removed from this episode’s montage. I do love the extra shots replacing their part leading to the host/MG announcement used here (four screencaps above).
Monologue
host plays piano while delineating his Christmas wish list for Santa
- Man, it feels so good seeing Adam Driver entering that homebase stage for the first time in several years.
- Ah, a piano. This seems to be a spiritual successor to Chalamet’s first monologue.
- In a forum I’m a regular poster in, someone mentioned this monologue feeling like John Malkovich’s classic monologue from season 34; the one where he reads to children ‘Twas the night before Christmas. I can absolutely see that too. Replacing the classic poem here with Adam’s own Santa list.
- Adam’s delivery is simply perfect for such a silly premise, especially his “wokeness killed Han Solo” line which would’ve been pure cringe if it was delivered by a less fun, uncharismatic host.
- Adam’s intimidating stare to the side camera was great and had me in stitches.
- So many priceless lines here in general. Some of my favorites are Santa breaking into Adam’s house, Gingerbread Man’s house being made of his own flayed skin and the whole eggnog bit.
Rating: ****1/2
We’re Trying
gay couple (host) & (BOY) is trying to have a baby via intercourse
- Oh, no. A Bowen Yang sketch, and as the leadoff of the night? Adam Driver is possibly the only person on this planet that can salvage a sketch from this cast member.
- Surprisingly, this sketch is pretty good and relatable. The slice-of-life atmosphere around it, and the restrained performance from Bowen alongside Adam is enjoyable.
- I love the recurring “aww” bit between Adam & Bowen each time. Them being convinced they can get pregnant without a surrogate is hilarious.
- Showing what an amazing performer he is, Adam is convincing and funny as Bowen’s partner. It is usually cringe seeing a straight guy playing gay, but Adam is one of the only performers around that can make it work.
- The “for us” rambling from Bowen and Adam, as well as the baby coming out of Adam’s ass in a dream are my favorite bits here.
- Pretty good ending. Adam’s last “girrl” was a perfect way to cap this sketch off.
- An overall pretty strong, relatable sketch with lots of great, memorable lines and easily Bowen’s finest sketch performance in what feels like many seasons.
Rating: ****
Old Friends
(MID) learns that his boyhood friend (host) is now rather problematic
- The setting of this short reminds me of that great Lonely Christmas short Kate McKinnon did with Billie Eilish two seasons ago.
- A big laugh from this so-far sentimental short turning bizarre with Adam’s character asking if Finnegan’s is a gay bar, and then wondering if it is a 1000 feet away from a school.
- Mikey Reacts on full display here, but we got a good break from this trope of his that it is working fine for me. It also helps there’s an actual premise to this short and Adam’s performance is pretty strong as always.
- Love Adam’s creepy look to the camera in the Netflix documentary about his character.
- Devon’s look as “Big Filthy” is hilarious and he sounds and looks very unrecognizable.
- Really? The usual plugging of a random product as the ending? At least what came before such a lousy ending was solid enough for me to forget the lazy way this short ended.
Rating: ***1/2
Beep Beep
(host) & (AND) vie for dominance while attempting to park potluck dishes
- James’ different look this season is particularly noticeable to me here. I do not know if it is weight gain or loss, but he looks a lot better nowadays to me.
- Loved Adam’s “let me just go right past ya!” complete with that look of his. Funny seeing such an intimidating, charismatic performer such as Adam playing such a folksy role.
- Hell yes! Not only we are getting a patented oddball Andrew Dismukes sketch, but one pairing him with Adam! This is like a dream of mine coming true. This has been a quietly strong season for Andrew, especially after the very demoralizing underuse of him last season. So, to see him leading such a sketch, alongside Adam Driver himself, feels incredibly rewarding to me as a big champion of his.
- Man, I’m LOVING this sketch. The various “beep beep”-s by Adam and Andrew are hilarious, especially as the sketch gets more and more tense as both confront each other. This piece, in general, feels like a spiritual sequel to the classic Del Taco Shoot from Adam’s previous episode.
- Fantastic sudden tone change, complete with the background music. Adam is legit intimidating here; our very first example in tonight’s episode where Adam gets to showcase his usual intense commitment.
- The whole tense beep beep/car talk between Andrew and Adam is brilliant, especially as the sketch slowly turns into basically a duel talk about beep beep. The Stuart Little/tiny car and “scoot past right ya”-s are some of my favorite lines here.
- The addition of Kenan, intimidating Adam and Andrew with his gun, after saying his beep beep is fine, though the ending could’ve been a little better.
- All-in-all, I loved this sketch. Not only a brilliant display of both absurdist and Andrew Dismukes’ patented humor, but also is a sketch that I can already tell will have such a tremendous replay value for a long, long while. I cannot wait to discover bits here and there that make me appreciate this gem even more.
Rating: *****
ShopTV Christmas
when unwrapped, (host)’s chocolate Santa looks like a penis
- Odd seeing this sketch back after two seasons. While it feels wrong seeing Adam in a piece that could be trotted out with any other host, I can tell he’ll be elevating the material given to him.
- Is SNL kidding me giving James the 10-seconds cutaway treatment as if he’s some featured player? He at least tried to make the most out of scraps, as always.
- The random scream effect both startled me and gave me a solid laugh. Mikey’s reaction to it was equally funny.
- Cheap, cheap laughs from the Phallic shape of the chocolate. While I can tell the sketch will most likely get old, it is Adam’s characterization and performance that are holding it for me.
- Adam trying to gobble down the phallic-shaped chocolate gave me a huge laugh, and the rest of this sketch is certainly fine, better-paced and funnier than the first installment.
- Kenan’s creepy character enjoying Mikey eating the tip gave me another huge laugh. The second segment tonight that Kenan steals after that cold open.
Rating: ***
Musical Performance – “vampire”
Weekend Update
MAH thinks depressed men should be more like women & support each other
CLF & Julia Stiles [real] demo sexy Save The Last Dance street ballet
- The Hunter Biden rant from both Che and Colin isn’t as strong as I would’ve expected. Hell, even the sentence slam against President Biden wasn’t as funny as I expected.
- Ok, the Cuba joke was pretty good. Although, I can see Twitter moms melting down over it.
- Hilarious “Seen Here” joke about Mitch McConnell bringing peanuts into a pre-school cafeteria. Maybe the funniest of these in a pretty long time.
- I saw the Bill Cosby punchline to the McDonald’s joke from a mile away.
- Nice seeing Marcello doing another desk piece. This has been quite the solid year for him in general, so it is nice to see it continue.
- Good topic for this desk piece, with Marcello speaking about depression in men. I’m enjoying this piece more than laughing out loud at it. Marcello is coming off very likable, charming and funny here. The whole robbing banks/“at least, he has a passion” bit was my biggest laugh.
- The string of jokes post the Marcello commentary are fine, but nothing very memorable. I’ll say, however, some of them getting mixed reactions gave me bigger laughs than the actual jokes.
- Chloe Comeback continues through December as she now gets a desk piece. I realized recently that my coverage of Chloe’s run has been a lot more positive than the fan consensus around her, especially after her huge upswing in airtime with the previous season onwards. I think Chloe had a good run as a whole so far, with many shining moments (she was excellent in A Stab At Love, for example, just a few episodes back), but it is her trying to ape other cast members that hurts her more than anything else, such as that god-awful kiln thing she did last episode.
- Amazing how likable and warm Chloe comes off just playing herself. Instead of, like I said, trying to be a cast member she isn’t. This desk piece’s focus on Save the Last Dance is fine, even when it’s beyond dated by now. It at least allows Chloe to display solid physicality for a change.
- Julia Stiles! So nice seeing her back at SNL, considering the very underrated host she was back in season 26. It shows what a great sport she is doing such a silly piece. Sweet seeing her get such a lengthy applause break from the audience, too.
- A decent ending to an overall fun, harmless desk piece.
Rating: ***1/2
Airplane Baby
during his first plane ride, (SRS)’s 11 month-old (host) gets emotional
- Tons of airtime for Sarah in tonight’s episode. I’m more and more getting comfortable seeing Sarah playing these utility roles.
- Speaking of having lots of airtime, Heidi has been quite dominant tonight. Even moreso than usual for her standards these last two seasons with her as the lead female of the cast.
- Great reveal of Adam as a full-grown baby next to Sarah’s seat. This is such a silly, dumb sketch concept, but it is perfect for both Sarah (giving a strong supporting performance) and especially Adam.
- I don’t know why, but Adam calling the iPad “the Peppa Pig device” gave me a big laugh.
- Troast going “baby monster!” unintentionally in reaction to seeing Adam is very funny. Nice seeing Chloe getting a quick solid moment after a cold open that wasted her talents.
- Man, Adam is going all out, complete with tantrums, crying outbursts and lots of baby-esque physicality. He is beyond excellent here and is having me laughing non-stop.
- The whole Teddy Bear sequence, especially as Sarah hides the Teddy Bear is fantastic and so dead-on of toddlers’ behavior; Adam going “he vanished!” when Sarah hides him and then “you killed him you bitch!” the second time had me in stitches.
- Adam in general is killing me throughout this sketch; easily my favorite performance by him this whole episode.
- All-in-all, our second classic sketch of the night. Glad we are getting so many strong showings for Adam this episode.
Rating: *****
Musical Performance – “all-american bitch”
Elder PSA
seniors (KET), (HEG), (host), (PUJ), (JAJ), (MOK) dislike being pranked
- Is this James’ first appearance since pre-Update? Either way, is SNL fucking kidding me underusing this fantastic performer to this degree, and, in an episode hosted by Adam Freakin’ Driver of all hosts? I cannot wait when the vets are out for James to hopefully get the airtime he truly deserves on a regular basis. This up-and-down utilization of his talents is so damn frustrating to witness.
- Moving on…. an ok premise with elders doing a PSA about being pranked for viral TikTok videos.
- I’m not seeing myself laughing much here, outside of the owl possession prank with Punkie. This is nothing bad, but it feels too bloated and directionless to me.
- The cast is doing a fine job playing older people and Adam himself is giving it his all like always, at least.
- I feel so bad for James having his whole bit being basically a cheap visual of him pissing himself. What a waste of his great talents.
- Forgettable, dull piece overall.
Rating: **1/2
Tiny Ass Bag
(MAH), (EGN), (musical guest), (host) tout the low-capacity Tiny Ass Bag
- Are we seriously still doing these types of sketches? The whole goofy, poorly-written attempt at absurdist humor?
- I love Marcello, but seeing him, as a straight guy trying to act “gay,” complete with that getup, is just sad.
- I guess this sketch is an answer to those fans wondering if Ego is leaving the show, considering that she barely did anything in terms of showcases outside of her (great) Jada Pinkett Smith piece two months ago. Ego’s been having, much like several cast members this year, a solid season, but I sure did not miss these types of sketches, and it hurts seeing such a reliable pro like Ego trying to ape Kate & Cecily instead of showcasing her own style of comedy.
- I assume this is a James Anderson-written sketch. Either that, or the wannabes in this current writing staff: Fowlie and O’Sullivan, are behind this one.
- As I expected, the cutaways to Adam are giving me solid laughs and elevating an otherwise tepid sketch. The lines and moments given to him are nothing special on paper, but like the brilliant performer he is, he makes them a lot funnier than they have any right to be. The whole “Tiny Ass Luggage” bit, for example, is making me laugh hard, when it would’ve been the death of comedy if another host delivered it.
- Nice seeing Olivia Rodrigo, coming off effortless as always, in a sketch tonight. I guess the show’s testing waters regarding a possible double duty stint with her either next season or the one after it.
Rating: **1/2
Cut For Time: Actor’s Journey
oddball former apartment neighbors take over actor’s (AND) film presentation
- Andrew always looks more adorable than usual in blonde. He should seriously consider having it as a permanent look.
- Feels odd seeing Adam looking and sounding like that. I don’t think he ever used such a voice before.
- Solid twist with Andrew suddenly being confronted by his apartment’s landlord, as played by Adam.
- Great part with Adam forcing Marcello to sit down, to continue his rant against Andrew. Chloe’s usage in this utility role is also solid; one of the examples showing what an underrated stabilizer to sketches she could be.
- Heidi’s look is hilarious as the other resident from Andrew’s previous apartment building.
- Bowen almost steals this sketch as the gay resident who just got outed by mistake by Andrew. Much like his hilarious bit in that airplane sketch a few episodes before.
- Great absurdist escalation with several oddball residents from Andrew’s apartment building showing up during his film presentation. Andrew is doing a great job being the straight man instead of playing it wild. Yet another example of how criminally underrated Andrew is in general.
- Love the silly ending with Molly showing up as God; their final line delivery was such a perfect way to end this sketch.
- An overall great absurd piece. Shame it got cut and we got that derivative 10-to-1 instead.
Rating: ****
Cut For Time: Court Case
defendant’s (host) case takes a dark turn
- Santa is real! We now get our second cut piece in a row! Adam must’ve pushed for these to get posted online, considering his SNL hosting legend status. If so, kudos to him.
- A quiet start to this sketch; Adam’s acting is bringing a sense of realism to his character.
- The reveal of Adam’s case being around using the trademarked Thursday Night Football is odd, but it certainly could have potential.
- Oh, it turns out it is not what this case is about, heh. I write these reviews in real-time, so it is funny getting that twist so quickly.
- Damn, I love how that the tender, emotional speech by Adam at the start of the sketch eventually leads to him being tried for kicking French puppies across a football field, complete with footage of said horrific act. Great buildup towards the sketch’s actual premise.
- Adam is doing an excellent job defending himself and bringing up Ego & Sarah’s jurors; the cutaway to James as Adam’s creepy old dad is great. An actual good use of James’ talents, unlike what we saw in the aired show.
- I love Adam defending his kicking of puppies that they liked it and that he used soft shoes.
- Solid twist with Adam being tricked into believing he got out of it and then being sentenced to prison for animal cruelty.
- Adorable ending visual of the puppies’ “parents” wishing Adam would fry in jail.
Rating: ****
Goodnights
a bumper marks the passing of Norman Lear
- Wonderful tribute to the legendary Norman Lear. There are just no words that can give Norman justice with all that he did for civil liberties and human rights throughout his career. Rest in peace.
Segments Ranked From Best to Worst
Beep Beep
Airplane Baby
Monologue
CFT: Court Case
CFT: Actor’s Journey
We’re Trying
Old Friends
Weekend Update
ShopTV Christmas
Elder PSA
Tiny Ass Bag
College Presidents Hearing
Final Thoughts:
- As highly anticipated with Adam hosting, there were some absolutely fantastic Adam Driver-centric pieces in this episode that are surely to be some of my favorite pieces of the whole season, and I loved that all of them were silly, solid, original, fun sketch concepts. Much like Adam’s stellar previous episode. Adam also got mostly well-utilized, stole sketches, elevated others and was given yet another excellent monologue. All-in-all, this was a pretty strong effort as a whole, with barely any real duds and several very memorable, excellent pieces throughout the night. My second favorite show of the year, after the amazing Nate Bargatze episode. Finally, I cannot wait till Adam is back for his well-earned entry into the Five-Timers Club soon.
My Favorite Moments of the Episode, Represented with Screencaps:
Up Next:
- Kate McKinnon returns home with the return of Billie Eilish as the musical guest.
My full set of screencaps from this episode is here
I liked the Old Friends sketch and the cut Actor’s Journey sketch.
Better than Momoa (The Dud of the year so far for me), Not as good as Emma Stone’s (Which is sad)
2 Diet Coke references in 2 shows back to back?
Squirm and Dismukes played a couple in 2 live sketches in a row. Has that happened with cast members before?
If anyone likes this episode, I am not going to take that away from you.
I can’t see Lorne getting rid of both Update people next week, But I can see Che leaving.
Excellent review as usual Blood!
I mostly agree with your thoughts here. Interestingly enough, I missed the first 25 minutes of the show when it was airing live (I joined midway through Beep Beep) and came away thinking it was a somewhat mediocre night. But after catching up with what I missed along with the CFT sketches, I’m much higher on this episode overall, even if it’s a tad frontloaded.
The cold open is pretty mediocre I agree. I felt bad for Chloe T being greeted with crickets, because she was really committed and her performance was good despite the poor writing. The biggest problem with this cold open is that the show couldn’t decide whether to mock the questioners or the questionees, which made the whole thing feel very disjointed. I for one am glad Cecily ended up not cameoing in this. Partly because it’d be a shame for Cecily’s first post SNL cameo to just be another one of her “crazy Republican lady” characters (which, even though I’m higher on them than some, I admit have gotten old), and partly because it’d bring flashbacks to the stunt casting and cameo hell we suffered through pre-Covid. Kenan’s bit at the end was amusing enough.
I was glad to see you higher on the We’re Trying sketch than most seem to. Bowen was actually solid and more restrained than usual which really made his performance pretty funny (you hear that writers? THIS is what we want from Bowen! Not those godawful vanity pieces) and Adam was great in the supporting role. He managed to ride that fine line between playing a gay character well without it coming across as a stereotype. The Happy Birthday part I could do without, but otherwise a pretty decent sketch.
I’m higher on the Old Friends short than you are (I would probably put it at a solid four and a half stars). The ending I agree was meh, but what came before it was pretty fantastic. This is a perfect display of “Mikey reacts” and his acting in this was great. Adam’s sentimental yet progressively unsettling demeanor was hilarious as well. Devon, however, stole the show for me. His whole “Big Filthy” stuff gave me my biggest laughs of the night. He’s such a likable performer.
Beep Beep was outstanding. I love these absurd, overly dramatic sketches focused on something so trivial and mundane and Adam was PERFECT for this. His look, facial expressions, and voice were all top notch. This is such a patented Dismukes sketch and it’s nice to see him having Adam lean into the absurd, as he always excels. It was weird seeing him so locked on the cue cards though. Maybe something substantial was changed at the last minute? The ending with Kenan wasn’t the best, but tbh that’s more of a nitpick.
The ShopTV Christmas bit was eh. I appreciated Adam once again doing the best with what he was given and there were some cheap laughs, but I wasn’t crazy about Mikey or Heidi’s characterizations or voices. Brought too many Anderlette flashbacks. Not a terrible sketch, but a pretty forgettable one.
Weekend Update was fine. I got a big laugh out of Che’s Eric Adams fakeout. Marcello’s bit was decent enough, although it was helped along more with his charisma and likability rather than the actual jokes. Chloe’s bit was…fine I guess? Idk, it was odd to me, but I haven’t seen Save the Last Dance so that probably had a lot to do with it. I appreciated them going for something unique and different I suppose.
The Airplane Baby sketch felt like a patented Sarah piece and MAN did Adam deliver on it! A perfect example of how the right host and performer can elevate a sketch. His acting was so damn good in this, almost TOO good for an SNL sketch. Sarah had a good supporting role in this (by the way, I liked how this episode had Sarah in a number of utility roles. She’s a great oddball performer, but these utility roles are a great showcase of her range and how she can dial it back).
The Elder PSA was meh as well, although I did get a kick out of Adam’s Governor Wallace line. Surprised you didn’t highlight it as it was easily the biggest laugh of the sketch imho.
Tiny Ass Bag – blah! Did not care for this one at all. The endless “and das it!” repetition got on my nerves and the whole comedic conceit felt paper thin and pointless. I will say Adam, as usual, was committed and tried his best. I was also impressed with Olivia’s role in this. I very much hope she gets to pull double duty one of these days, as she fit into this really well. Shame it couldn’t have been for a better sketch though.
Those CFT sketches were both excellent. A shame we had to suffer through the 10-to-1 and the ShopTV Christmas sketches (along with the usual tepid cold open) instead. Of the two, I prefer the Actor’s Journey one, but both were solid, well written pieces with great acting from all involved.
All in all, this was a pretty good episode, which would have been even better had they had those CFT in there. Adam, as always, was a truly FANTASTIC host. Totally committed to every bit and brought some great acting that elevated every sketch. While not quite the classic that, say, his S45 episode was, this one was still very good and probably the 2nd or 3rd best of this season overall. A nice comeback from Emma Stone’s episode.
Unfortunately the second Saturday in a row I wasn’t able to watch.
But as usual, great review Mr. Blood
Hmm…I guess the people who actually LIKED “Tiny Ass Bags” consists of just me…and dassit? Well, Marcello and Adams’ performances put that one over for me. Ego and Olivia’s parts could’ve been played by any female performers but they did a great job with what they were given. I probably would’ve liked it less if it were in any other episode with any other host but the fact that it was preceeded by a lot of strong material really helped. Also, am I the only one who got Tom Hanks vibes from the monologue?
Thanks as always for your detailed reviews, and especially for reviewing the CFT sketches. I am still surprised we got any. I’m trying to remind myself not to keep expecting them. Of course, Driver is a rare level of host, and they may just want to get what they can out of his appearing, but I’m still surprised. I just hope this won’t be a one-time gesture. I think both sketches had a home in the episode (just shorten the cold open, shorten Update, and move out the prank PSA or the bags sketch), especially the film sketch.
I’ve been a Che/Jost Update defender in recent years, but if we have another half season of them (let alone season 50), that is coming to an end based on current results. Che laughing nervously at his own jokes as the audience doesn’t know how to react is not a recipe for success. I didn’t even care what Marcello was saying because he at least has a smoothness and the main desk no longer does.
Julia Stiles said a few years back she wished she could have hosted again, so I was very happy to see her pop up. I am critical of Chloe Fineman more often than not but at least she was trying something different here. As you said, her record isn’t as bad as you’d think on the show (even if I keep forgetting A Stab at Love). I didn’t know until looking on Twitter that Olivia Rodrigo is a big fan of 10 Things I Hate About You, so I’m glad she got to meet Julia.
Andrew has been having a solid season. I don’t want to get into season 48 discourse but I think it became trendy to pan him, especially with shiny new Michael Longfellow there. Now that Michael has (sadly) been sidelined, we’re getting more of Andrew, but not in a way that feels overwhelming or samey. I would have tightened the pacing in beep beep, but overall it was a gem…even the ending worked for me, which is sometimes an issue for me in Andrew’s sketches. I’m just glad the show now seems to see more of his worth and that he got to work with Adam in a big role again after he co-wrote the wonderful Del Taco sketch.
I feel like you’ve said everything on Adam that could be said. He’s easily one of the best hosts the show has ever had. I do think we’ve seen that this isn’t enough – season 44’s episode wasted him so severely – but when the writing tries (and overall I do think they were trying this week, certainly much more than they seemed to with Emma Stone last week), he is just unbeatable. That baby sketch was an absolute master class for his talents. And kudos to Sarah for her strong support work.
I’m still waiting for the pre-tapes to improve. They just feel so rote to me – Old Friends without Adam, and the great turn from Devon at the end, would have been so much more forgettable. I guess at least PDD took a break, which they needed, even if I’m sorry we didn’t get to see them with Adam.
Old Friends was funny enough, but it also felt like it went the most obvious route of comedy possible (the old friend is a complete weirdo) and had the horrible copout “fake ad” ending. I think I would have liked the film better if Day just cheerfully accepted all the weird things Driver was telling him and they still had a nice Christmas reunion.
Lets start with general agreement. I’m pretty there with the order, may a couple of switches in the middle, but I’m officially going to say that this is the best episode of the season so far. If you take out the Cold Open, the show has an energy that only a great hosts brings. I think is Drivers best episode also, just because he brought it to every sketch he was in.
But lets talk about that Cold Open. I’m still focussing on it, and trying to work out why it didn’t work.
1. I hadn’t seen the trial it was based off, or even knew of it. (But that shouldn’t matter)
2. I don’t think we needed three presidents.
3. I don’t think its clear what the Presidents were. At times they seemed to be avoiding the question, or giving “on the wall” answers, and at other times, they seemed like they were being “Extra woke” – “Lets not assume the questions are straight” – A little cringy.
4. Troust’s Character – I’m not putting this on Troust because this is writing issue and/or a filling in at the last minute issue, but I had trouble working out where she fit into all of this. The fact that the presidents were supposedly fearful of her, even to the point where she got someone elses time, didn’t match the character that Troust was playing. She seemed to be playing a little dopey. Certainly not a feared cross examiner. And there was no other to compare her to, so, it just seemed a whole lot of “Why?” And I’m not even sure what her line of attack was.
5. I didn’t really understand it, and it was a giant miss. (I enjoyed Keenan’s bit at the end)
Anyhow, the rest of the show was fantastic. The Ski Lodge/Gay trying reminded me a little of Life of Brian, when Eric Idol wants to fight for the right to have babies. The Old Friends Pretape was fine, but maybe needed a little more focus. The Beep beep sketch was a full series of Fargo in one sketch, and brilliant. I LOVED the airplane sketch. Adam Driver dialed t up to 11, and it had a “Whose line is it Anyway?” element to it where AD had to react to the hands. I’m not mad the cut for time sketches weren’t in, just happy we got to see them.
I’m not a fan of the fact we got a full “pranks sketch” after Adam Driver had essentially done the “pranks” joke in his Monologue. Pick one SNL. I enjoyed the Chocolateer sketch, had vibes of the “Zoo Pornographer” sketch – Seiday at its most Seidayest. Kinda made me miss Taran Killem, who was always so good in those camp daytime TV presenter slots.
What did I miss? Punkie saying “Hoo” was a highlight. Loving Punkie this season!
Thanks as ever for review. The couple of pods I’ve listebed to so far seemed to have been a little down on this episode. Not me!
Blood, a lovely write-up as always. Very much appreciate the enthusiasm. I too dig the Adam Driver episodes. I think he has a certain intensity that helps more subtle material or makes the pandering material resonate more. His episodes always have a bit of both, but unlike, say, Emma Stone, I think the more compelling and challenging work take greater precedence in his episodes.
So the episode?
What a lot of stink about that cold open. The SNL Reddit is practically melting down about it, calling it the worst cold open in, like, ever. It is not. It is not exceptional, but it is not dire. On a surface level, there are enough jokes here to keep it afloat – a similar trait to much of the Trump COs, where the conceits were awful and the execution embarrassing, but the jokes were largely adequate. I think the sketch’s Achilles’ is its desire to gather everybody into the fold as a satirical target. The show is right to do that, but the audience, after years of lefty pandering, is ill-prepared to respond to both-sidesism. So we’re left with a sketch that kinda praises Elise Stefanik and vilifies the University presidents and also kind of does the opposite. The only real flaw in all this, I think, is that SNL decided to go after it at all. The show is right to skewer all sides, but it ends up muddling the sketch’s execution. Chloe, for her part, was excellent and bold in her performance, but the audience is left asking themselves “Who are we supposed to hate here?” and the answer is probably “everybody” and that’s just not very clear at all.
I’m all for Driver doing his thing in the monologue. I will take this a million times out of a million over Jason Momoa saving the whales or some shit or another tired token five-timer slog. Jokes, man, I’m here for jokes. I don’t want to hear about anyone’s mom or their lifelong dreams. I can no longer be charmed.
The “We’re trying” piece was good fun all around. A nice observation and a good opportunity to go subtly scatalogical.
Beep Beep was also my sketch of the night. It’s really a nice marriage of concept and execution, which all I can really ask for. Just a fun observation subtly doled out, but executed perfectly. I think the capper with Kenan was a very tidy way to conclude this. There were several other moments during the show where the conclusions were far less polished (Old Friends, Airplane Baby).
For its part, Airplane Baby offered fine, fun work from Driver, but as Nic astutely noted, had an air of Whose Line Is It Anyway? That’s not a bad thing per se, but the conceit did little for me. It was just fun to see Driver do his thing, which he did extremely well. It’s maybe on par with his Career Day performance. The performance – not the sketch.
The Chocolatier thing was beneath its host. It’s one of those bleeding obvious jokes that hits enough of the necessary beats to not be a total waste, but yeah, it felt kind of basic. Michael Cheyne made reference to Old Friends taking the most obvious route to comedy possible and I think that kind of applies to this one as well. Actually, I think a lot of Mikey/Streeter stuff kind operates that way. Solid, but no surprises.
I’ve already forgotten, but I feel like there were a couple spicy jokes on Update that left the audience cold. But I like that. Fuck that audience.
Marcello is someone’s idea of a hilarious guy. Not me, but someone.
In rewatching the first Home Shopping sketch featuring Day, I was kind of annoyed that I had forgotten that the “Squeal Deal” scream joke, which actually was funny, is just the exact same joke from the first sketch.
The CO is such a nothingburger of a controversy yet somehow managed to upset all people.
I was finally able to watch this episode on my cable, and I can now talk about it.
As expected, it was a solid episode, but I wasn’t as high on it as you were.
Beep Beep was pretty funny to me, but nothing more than that.
The monologue, and the Airplane Sketch were the real highlights here in my opinion, both being really strong.
I also really enjoyed Old Friends. A little more than you did actually.
Despite there being bunches of great moments throughout, this show did still have lowlights, those being the cold open (no explanation needed) and the Prank pretape.
I did think Tiny Ass Bag was enjoyable enough. I feel the same way about We’re Trying. I do agree that Tiny Ass Bag is a little derivative though.
Despite the lowlights, Solid show. 6.8/10