Cold Opening – George Santos Address
George Santos (BOY) says farewell & sings “Candle In The Wind” variant
- Not shocked seeing the obligatory Bowen-as-Santos cold opening. I just hope this ends up being his final ever appearance.
- I’ll say that Sarah’s “impression” sounds nothing like Blitzer and doesn’t certainly make me forget Chris Parnell’s far superior take on him.
- Also, man, Sarah in drag and Bowen Vamp to start an episode? Talk about having me zoned out and we’re not even two minutes into this episode.
- Ok, Bowen’s Princess of Genovia line gave me a solid laugh. Otherwise, this is as tepid and “let’s get this over with” so far as I anticipated.
- This cold opening isn’t as horrid as I was fearing, as the last time SNL had a punching bag of a politician (Herschel Walker), we got one of the worst cold openings I can think of in several seasons.
- Oh no, we are now getting a variation to the final Trumpwin cold open, with Bowen singing while playing the piano? I guess I spoke too soon.
- There are really no words I can say about this endless cold open, especially as we get to Bowen singing while clearly being so amused by himself. I partly blame the show for how one-note Bowen has been, and the less said about the self-aware, unfunny lines throughout the song, the better.
Rating: *1/2
Monologue
TIF & Candice Bergen [real] welcome new 5er host to the women’s section
- The cutaway joke to Lorne as Emma’s husband was a bit expected, but still funny.
- Tina Fey cameo. I expected it, though the previous Five-Timers monologue she was in is one I rather forget.
- Candice Bergen! Always so fun to see coming back to SNL. Her delivery about the portrait with its cut out eyes so Martin Short can peek in is funny.
- Fun seeing a Mulaney diss as a Ventriloquist’s dummy, though this monologue so far is more low-key than I anticipated, but still decent.
- The dig at Woody Harrelson’s anti-vax stance is not only giving me unwanted memories of his episode but also reminds me specifically of his notorious monologue. For the record, I consider my review of said monologue to be the single most embarrassing segment review I ever did.
- Pretty decent, low-key monologue that worked fine for me.
Rating: ***
Question Quest
(MIL) palms off tortoise to game show contestant (host)
- Michael! Great to not only see him in a meaty role for the first time since forever, but as a gameshow host. Because Michael, with his trademark deadpan, is beyond perfect for such a role.
- Ah, as always, James is doing a terrific announcer imitation. This time, nailing how gameshow announcers sound from the ‘70s and ‘80s. James not only routinely reminds of Dan and Phil when cast in “glue” roles, but of other all-time great sketch performers; here sounding a bit like a character Joe Flaherty would’ve definitely done in ‘70s SCTV.
- Strong sketch concept for a gameshow sketch; Emma’s performance realizing she’s stuck with Michael’s childhood tortoise is great. Michael is as solid as expected performing such a concept. I will not be shocked if this is a patented Michael piece, as it feels like his typical offbeat, unique style of comedy.
- I love how this sketch is now centering around Emma’s deep discomfort with owning Michael’s childhood tortoise. Michael’s subtle menacing performance is really elevating an already strong sketch even more.
- James’ “three cars!” delivery when announcing what Heidi’s character won made me laugh. James always has the ability of elevating even the most nothing of lines.
- Punkie’s many, many attempts failing to say Rudolph is fun, especially as Emma eventually wins again by trying to tell her the correct answer, to her own discomfort, and keeps the tortoise forever.
- While not having as many standout moments, Heidi is giving her usual fun supporting performance in a gameshow sketch and is coming off likable.
- An overall pretty strong sketch, with excellent lead work by Emma and Michael.
Rating: ****1/2
Fully Naked in New York
nude NYC manual labor is musically extolled
- Did we need Bowen to sing in another segment tonight after that cold open, which was pretty much a concert?
- I’ll admit being a bit tough on Bowen during my last review, even when I stand with all that I said about him in it. Fellow SNL reviewer/frequent commenter Carson’s point about him in my latest review’s comments section made me realize I shouldn’t really put all the blame on him, but also partly blame SNL itself for encouraging the worst in him. so, I’ll come into this showcase of Bowen with more of an open mind.
- I’ll say I’m no big fan of Bowen singing. He cannot make it funny to me nor interesting. Hell, most of this current cast, while solid enough, aren’t as good in comedic singing as some previous casts were.
- The twist with Emma & Bowen’s initially tender song turning into a song about going around New York fully naked was worth a solid laugh, even when I can tell the visual of them nude will get super old after a while.
- Speaking of cast members singing, Troast’s vocals are always impressive and wonderful. Not surprised seeing her in this musical short.
- I like Marcello, but I cannot buy his singing; his natural raspy voice is too pronounced, which makes it hard for him to actually change its notes (as a raspy-voiced guy myself, I can relate to that).
- Yeah, this short is nothing horrible, but as I expected, the initial shock visual immediately died out after a while and not even Andrew can save this for me. The cast is performing this very well, and many are getting chances in the spotlight, but the lyrics and visuals are washing over me, unfortunately.
- A forgettable piece, even when I can see, unlike many times before, what Bowen was going for with such a premise.
Rating: **1/2
Tree Lighting Gig
trumpet player’s (host) ex’s hotel room flooding leaks into Treece’s gig
- Really? We are bringing this character from the mothballs? This one is a bit of a guilty pleasure for me actually, but it being brought back in such a week, indicates the writers barely had anything new to contribute.
- Heh, Bowen taking Kyle Mooney’s rule cracked me up for some reason. And, I’ll admit, he’s pretty funny here, especially both his facial expressions while playing the instrument and the voice he’s using.
- The whole phone call turn is the type of Anderlette attempts at absurdist humor that would annoy me, but the general goofiness and likability of these sketches make them work. Bowen’s interjections throughout it and the sketch in general are actually giving me my biggest laughs.
- There’s usually nothing to say about this recurring sketch, but it always surprisingly works decently for me.
Rating: ***
Please Don’t Destroy – AI
AI technology is poorly used to insert host into PDD short
- Brilliant twist on the usual PDD format with the guys trying to fix an Emma Stone-involved short with AI technology.
- Great seeing Punkie being used as herself to be the stand-in for Emma in the fixing of the ruined short; Punkie’s natural charisma is so perfect for PDD. What a solid season she’s been having so far.
- Flawless and very funny back-and-forth between the original footage and the “fixed” one throughout this piece.
- Punkie confusing Emma Stone with Emma Watson reminds me that I actually used to confuse the names of both when I was much younger; loved Punkie’s horrible attempt at pronouncing that Harry Potter curse afterwards.
- Fun inclusion of Marcello to fix the botched Ben footage; glad seeing so many of this current cast outside of character and thus, us knowing them better.
- The Yassify portion with John is ridiculous and comes off even funnier due to the professional voice-over reading the disclaimers throughout this short. Whose voice is that anyways? They’re doing a very solid job making said disclaimers come off funny in a dry way.
- Such a dumb, silly ending to what’s easily my favorite PDD in quite a long while.
Rating: ****1/2
What’s in the Kiln?
(CLF) & (HEG) praise misshapen dilettante pottery
- I expected a Chloe comeback for the December shows, but didn’t expect the return of the Chloe/Heidi duo after the many times they were cut over the course of the latter S48/early S49 shows.
- Interesting character voice from Chloe. It reminds me actually of Kari Lake.
- Where are the laughs supposed to be coming from here exactly? I thought this would be a dirty wordplay sketch as soon as Heidi mentioned bowls, before we actually got several of them, or is it the visual of the pottery that’s supposed to be funny? If so, it is a poorly-done attempt at absurdist humor; one of my favorite types of comedy in general. The innuendos here are either very poorly-written or are completely going over my head.
- A very dull sketch so far.
- Hopefully Emma will be able to save the sketch for me.
- Emma’s character being named Cody Carabiner-West? Is this a Jimmy Fowlie sketch? Between the failed attempts at absurd humor, the lack of direction, the dullness, I won’t be shocked if Fowlie co-wrote this, as it feels like one of his MANY duds last year, especially during his reign of terror throughout the second half.
- Ugh at the vagina line. This has to be a Jimmy Fowlie sketch, as the desperate, hacky and completely unnecessary vagina line, complete with a replica of it, is something he’d do.
- All-in-all, I have absolutely no idea what I just watched nor what was the comedic conceit behind this sketch. If Fowlie or whoever wrote this mess can tell me what it was going for, I’ll be grateful. For now, I’ll give this sketch a rating I think it deserves:
Rating: *
Musical Performance – “Dial Drunk”
- Very lovely mention of SNL during Noah Kahan’s song. I can tell Noah is very appreciative being invited to SNL.
Weekend Update
Old Fashioned Cigarette (MIL) acclaims classic nicotine delivery coolness
- Recently, in online SNL venues I frequent, there’s been speculation that Colin and Che would leave right after the Christmas episode, with the cast photoshoot being one evidence (Cecily left right after last season’s Christmas episode and the cast photoshoot was taken and released around this time), as well as Kate McKinnon being booked for a big return hosting the Christmas episode of this season. Seeing how very phased-out as well a lot of the Updates this year have been (yet another point some brought online as evidence of Colin and Che potentially leaving), I can definitely see them leaving very soon.
- The Musk string of jokes are ok, though come off pretty standard. Nothing bad, however.
- I loved the Frozen joke’s punchline being that the only thing left frozen in the world being Elsa’s eggs.
- The whole Merriam-Webster joke about rizz being one of the most searched new words is funny on itself without any commentary needed.
- Michael! Desk piece from Michael! Great seeing Michael having such a strong night so far; the my butt in your mouth line was hilarious.
- Considering the terrific track record of Michael’s behind the desk, I’m very excited to see where this desk commentary is going to go.
- This is a minor part, but I absolutely love the visual of the smoke coming out of the top of Michael’s outfit.
- Unlike a certain cast member, when Michael is dressed in a goofy outfit, I’m anticipating some patented, dry, strong humor complete with many hilarious lines. I’m definitely getting this from Michael here; the concept of him as a cigarette launching a defamation campaign against vaping is great.
- Michael’s direct messages to the camera, especially about smoking adding a few inches to guys is excellent.
- I love the photos shown of various celebrities looking cool smoking cigarettes, and then Hitler shown vaping.
- An overall very funny, clever desk piece from Michael. Will easily going to be one of my favorites of the whole season. Man, did I miss the hell out of Michael behind the desk this year.
- I didn’t care for the WNBA joke this time. Felt pretty desperate and even Che seemed to know it.
- Yet another super short Update. Yep, not going to be surprised if both are out two episodes from now.
Rating: ***1/2
Make Your Own Kind of Music
Cass Elliot (CHT) dislikes “Make Your Own Kind Of Music” juxtaposition
- So, is Troast going to sing in every single episode of her tenure? Not complaining, as she has an amazing singing voice and it’s been ages since we got a performer displaying their vocals on such a regular basis since Ana Gasteyer’s time on the show. (Going to ignore the hell out of those Maya Rudolph singing sketches here.)
- A spot-on Mama Cass impression from Troast. Between this impression and her hilarious Maggie Smith, Troast seems to be proving herself as a reliable impressionist so far.
- A very fun characterization and performance from Emma; her look is especially fun. This sadly feels like the very first segment since way back with the post-monologue sketch that felt like it’s utilizing Emma to her full potential.
- I’m enjoying the interludes with Emma and her group imitating a zombie attack as Troast kills it with the vocals. This is the type of weird, “wacky” sketch concept that works for me.
- I enjoyed the ending with Troast’s Mama Cass turning badass and kicking out Emma’s group; her look before the sketch ended was so great. This sketch in general feels to me like a subtle tribute to Mama Cass, which I admire, considering the sexism she faced during her lifetime from some corners, instead of focusing on her sheer talent.
Rating: ***1/2
Musical Performance – “Stick Season”
Posters
Krissy Knox & other poster models get teen (MAH) interested in physics
- Oh hell, not the return of this should’ve been one-and-done sketch.
- It tells you everything you need to know about this installment already with it being buried post-Update instead of the cushy first half of the night.
- Marcello is a billion times better than Pete Davidson was in this role. I don’t hate Pete, but Marcello has been a lot better performer and presence than him as a cast member. The warmth and joy he always displays is also a big plus for him and for us.
- Mikey’s British accent always bewilders me; his Beckham here is pretty much an enigma left to be decoded.
- I hate to critique such a consummate professional such as Emma Stone, but I never cared for this character of hers and how the show is treating it as one of the bigger host characters in recent years. I’m glad, however, she toned down the catchphrasing and her vocal fry, at least.
- Poor utilization of Ego Nwodim’s talents throughout this episode so far.
- I’ll admit getting two solid laughs near the homestretch of this sketch: when Ego threw Emma into the car’s hood and then Marcello getting distracted by Emma’s butt.
Rating: **
Olay’s Diet Coke
women love drinking it & using it as a facial cleanser
- This short ad airing near the very end of the episode makes it clear this one is one of those to be used in the case of emergency, much like the PDD piece from the Bargatze episode.
- A good, silly concept for a fake ad. It is also great seeing such a female-centric fake ad, as these are usually always very memorable.
- Solid voiceover work from James, especially his deadpan, professional delivery of the fact that Diet Coke is scientifically proven to be…. Diet Coke.
- The visuals throughout this ad are decent enough, though my favorite of them is Sarah’s face as the Diet Coke’s foam is dripping.
- Pretty good piece overall. John, the reliable fellow SNL reviewer and frequent commenter on this site, mentioned this piece feeling like one that would’ve been done back in the mid ‘00s. I can see that, especially as one of those Tina/Amy/Rachel/Maya fake ads.
Rating: ***1/2
Goodnights
Segments Ranked From Best to Worst
Question Quest
Please Don’t Destroy – AI
Make Your Own Kind of Music
Weekend Update
Olay’s Diet Coke
Monologue
Tree Lighting Gig
Fully Naked in New York
Posters
George Santos Address
What’s in the Kiln?
Final Thoughts:
- I came into this episode with great caution, considering that three of Emma’s previous shows were quite hit-or-miss. So, the episode we got tonight, as I anticipated, was an indeed a hit-or-miss show. I will say, however, it’s an improvement over Emma’s previous episode, as we got more solid highlights (though not as strong) here and there to make up partly for the awful lowlights. This makes this young season 6-for-6 in terms of shows ranging from average to fantastic, with no subpar efforts so far, at least to me. Emma was sadly not as utilized as I had hoped, though she still had some strong moments throughout the night and brought the committed, solid work and consummate professionalism one would expect from her.
My Favorite Moments of the Episode, Represented with Screencaps:
Up Next:
- Adam Driver / Olivia Rodrigo.
My full set of screencaps from this episode is here
Great review as usual Blood!
I have to admit I’m not quite as high on this episode as you are, though I didn’t outright hate it either.
The cold open was predictable and pretty much just washed over me as well. I really don’t have much else to say except I sincerely hope this is the last we’ll ever see of Bowen’s Santos.
I can’t tell you how thrilled I was to see Longfellow FINALLY have a decent night after a string of episodes where he was all but invisible. His performance in the Question Quest sketch gave me serious Hader game show host vibes. I loved his deadpan delivery and the subtle escalation with him and Emma. Punkie was also hilarious in this. Easily my favorite sketch of the night.
The Mama Cass sketch was pretty fun as well, and it helped that they gave Emma a good wacky character to commit to. Honestly felt it was her best performance all night. Chloe Troast has kept her momentum going and her singing in this was wonderful, as was her overall Mama Cass impression in general. I predict great things for her in the future.
WU was kind of a microcosm of this episode: rather hit and miss with Longfellow easily providing the biggest laughs. That cigarette character was perfect for him and his lines and deadpan delivery killed me. The rest of Update though? Eh, some really good jokes mixed with some tepid ones. I was surprised you made no mention of Che’s delivery. He seemed unusually loose and stumbly tonight.
I liked the PDD sketch, albeit not quite as much as you. I think it would have been better had they limited the disclaimer to just appearing at the very beginning and nothing else, as I felt it got a little overdone. Punkie stole this sketch for me. I’m so happy that she’s finally having a good season and I only hope that she/the show keeps it up.
I’m pretty much over the Trese sketches and this one did nothing to change my mind. One or two lines gave me a chuckle, but that was pretty much it. Much of that sketch just came and went for me.
That Naked New York sketch was the definition of just one joke beaten into the ground. It was funny at first, but there was no real escalation to it. Plus it was a pity to have Dismukes relegated to just this one sketch tonight.
The Posters sketch was another meh outing. Again, nothing I hated, but there was little to enjoy outside of Mikey’s Beckham impression which veered into “so bad it’s good” territory.
That Pottery sketch…oof, just oof! One of the dullest sketches I’ve seen in recent memory. I’m legitimately struggling to figure out how this one made it to air. The humor was incredibly tepid. I was flat out bored throughout the entire sketch waiting for SOMETHING to happen but it never did. Chloe and Heidi’s characters in this sketch reminded me (along with apparently many others) a lot of Kate and Aidy. I honestly was more entertained imagining them in those roles (as dull and uninteresting as the sketch still would have been) than the material itself. Along with the Spaceship sketch from Pete’s episode, this is easily the biggest dud of the season so far.
The Diet Coke sketch was at least a cute and quirky 10-to-1 and at least ended the episode on a mildly positive note.
Boy…easily the weakest episode of this season so far. Idk if I can go as far as to call it okay/solid, as there were simply too many dull and uninteresting pieces for me. Such a shame as Emma was her usual fun and committed self and when they really let her let loose (ex. the Mama Cass sketch) she delivered. A pity they couldn’t deliver a better episode for her.
A very middle-of-the-road show. For every segment I liked, there was one I wasn’t fond of. We seem to be continuing a trend over the past few shows of finding out what sticks without Seiday’s help. It’s understandable why Lorne wants everyone to work with new people, as it’s hard to pinpoint which writer(s) produces solid stuff when paired with everyone. Hopefully, they’ll find their footing come January.
I was a bit disappointed with how they used Emma. She’s one of the few hosts (very much like this week’s host) who doesn’t care how they come off and are game for anything. Sticking her in supporting roles like in the Kiln or Treece probably wasn’t the best move. Nonetheless, her performances heightened the comedy that wouldn’t have worked as well with other hosts.
Speaking of elevated performances, I have to shoutout Punkie and Mikey Longs. It was the first time for each of them where I got repertory player vibes. One saved a dire Update and the other saved a so-so PDD short. Love to see that progress.
And I was so thrilled that Noah Kahan performed. I love his music and as you said, it clearly meant a lot to him. It’s nice to see that we’re booking better musical guests this season and I hope it continues. There’s no reason we shouldn’t promote a variety of genres of the smorgasbord of modern music. You’ll have a better chance of bringing new audiences to the show rather than booking a different Lil every week.
Another great review. Thanks for being kind enough to mention me. Episodes like this with no real theme, standout, or hook to go back to are the most difficult to review, but you make it very interesting.
Maybe I should hold SNL to a higher standard, but given the history of the show, I generally can’t. I lowered my expectations going in because Emma has only had one good episode and the pre-tapes have declined in quality significantly since her last two stints (they were actually better than I thought this week but none of them hinged on her contributions).
The cold open was such Randy Rainbow pastiche and just because I knew it was going to happen didn’t mean I could bear the endless vamping and mugging. The monologue, aside from being happy to see Candice. mostly left me feeling flat. The flatness didn’t ever quite go away but I was still able to tolerate of find moments to enjoy in the rest of the night.
In the long run I will have mixed feelings if Longfellow tries to dip too much into the Haderade, as he’s still so much younger and has his own appeal (I’m seeing the same with the Cecily/Troast comparisons but beyond singing her roles don’t remind me that much of Cecily yet), but this was my favorite sketch of the night. I’d probably go closer to 4 stars as I didn’t think the energy and execution were fully there, but it was still a creative concept with strong performances. Reading about how poorly received some of the dress show was makes me wonder if that’s why the energy from the crowd wasn’t there for this sketch. Michael was a real MVP between this sketch and Update and I hope the show is finally starting to realize what they have in him.
Even if Emma was not well used (aside from the Mama Cass sketch, which I think you graded fairly as it was so formless and mostly reliant on Chloe/Emma/some fun side bits like the slo-mo fighting), I do appreciate how much of a sturdy presence she was in pieces like the game show sketch.
One of the downsides of PDD being on every week is that it seems like this didn’t get a great response in some quarters even though I felt it was one of their best. So good to finally see Punkie getting material every week that suits her personality.
I think your review of the naked in New York sketch is very fair – I actually thought I was going to hate this, but did enjoy myself once we got to the ridiculous premise. If it had not gone on as long as it did I would be happier, but it’s still one of the more interesting pre-tapes in a while. I think I enjoyed it because I just like that complete weirdness and the full commitment to it. The whole thing reminded me of season 6 (minus all the singing). I agree that some of the singing wasn’t needed – you can always tell what sounds worse through too much Autotune.
I fear I am just unable to judge Chloe and Heidi in an unbiased way, after how hard they were pushed together early last season, but they seem like ghosts to me. Or, in some way, vultures, trying to pick the bones of much better female pairings in the past. As this sketch went on and on and on, I was thinking of Kate/Aidy, Molly/Ana, Nora/Jan…never them. The show clearly wanted these two to be their big new stars. It didn’t happen. Time to move on.
Thanks again for your review. Like you, I haven’t been too negative about this season, but I am very wary that we may be in for a 44 repeat for Adam Driver. Hopefully they’ll surprise me and give him the night he, and we, deserve.
Good review Mr. Blood!
I unfortunately wasn’t able to watch the show live because my cable is messed up for some reason, but I did watch the YouTube live stream.
But the general consensus for this episode seems to be the at its the weakest show of the season so far, and after watching a couple of the sketches on YouTube the next day, I can see why.
Hopefully that big musical cold open means the retirement of Bowen Santos. I also hope that Jost and Che leave after this season.
With one exception, I think we were generally in lockstep in our opinions of the ep, Blood. Although I think my final takeaway was that it was our first subpar episode of the season, if not for a couple of highlights.
But I’m not entirely shocked. I tend to find the Emma Stone’s episodes to be stubbornly rote save for one or two stylistic left turns. Like, we remember Les Jeunes De Paris and Let’s Make Technology Hump (DO we remember that one?) from her first couple episodes, but they were more defined by The Californians, Dream Home Extreme and Secret Word. Her last couple had more interesting material by and large, but they also felt weighed down by the more typical tropes of the era.
This episode was mostly typical tropes and very little ingenuity.
The cold open was exactly what I expected SNL to do with the George Santos fiasco. No more, no less. I don’t have quite the aversion to Bowen that you do (“quite”…I’m close), but all I could really think when watching the sketch was, “Yeah, typical.”
The monologue was more five-timer nonsense. I watched with my two teen sons who unsurprisingly had no idea who Candice Bergen was and surprisingly had no idea who Tina Fey was. Some jokes kinda connected, but all this five-timer stuff is a total wash to me at this point. They’ve gilded the lily.
The game show sketch is FAAAAAR closer to what I like out of a game show sketch and I thought Michael and Punkie acquitted themselves very well. I think there were a couple of moments where the crowd weren’t giving the right energy back to the performers, but a re-watch might change that view. I see some references to Hader when talking about Michael’s performance. It almost seems like with such a large cast, the performers are only really given room to deliver a certain “type” where prior casts were allowed to do so much more. This is a cool new wrinkle for Michael, and it might open up a SECOND “type” for him to get to play, but with smaller casts, performers are allowed to contain multitudes.
The naked thing came and went – sort of pleasingly benign.
The Tree Lighting Gig is the lowest of the low of recurring characters. It’s just a bunch of campy padding with no real comedic hook. It basically NEEDS the audience to laugh in spite of themselves (as you did) for it to have any kind of success, but I find that these things kind of die on the vine. It’s very “early Kenan” and we tend to overlook that “early Kenan” is…not good. At least Emma got to try on an accent, I guess. As my 15-year-old said immediately upon that sketch’s completion: “That was awful.”
Speaking of awful, that Kiln thing was almost especially dire. And not just dire, but a confusing, low energy kind of dire. If the joke, as was suggested at the outset, that their pottery creations were absurd, you would have had some heightening of the joke. That would have been understandable. Not excellent, but certainly enough for a throwaway sketch. But it felt like the premise kind of kept shifting and the performances remained so low key it actually muted any comedy that could have been derived. In fact, Heidi was kind of subdued all night.
I agree that this was a strong outing for PDD and another fine showcase for Punkie, who really is hitting her stride as a comic voice on the show. After having just watched their movie, I’m starting to understand that PDD constantly explaining their joke is a very deliberate feature. I don’t love it, but everything else is so lively that it hardly gets in the way of the momentum.
Update was another short edition, which I appreciate. Michael’s smoking bit was perfect and the jokes that hit (like the final two) linger while the duds easily fade from memory. I admire the concision.
The Mama Cass bit provided a lot of fun business for the host and cast. It wasn’t an all-timer, and that might have to do with the premise being somewhat, I don’t know, obscure? Like, not Troye Sivan levels of niche, but kind of a narrow observation. Anyway, I think by default it was the third best piece of the night on account of it being good light fun.
The Posters sketch is only slightly less egregious than Kenan’s singing bullshit just for the simple fact that it can make me giggle in spite of myself. But as a host-specific character, it’s got to be on the lower rungs.
The Diet Coke was a time filler, but also a weird kind of throwback piece. It was refreshingly quaint, if not hilarious.
Anyway, I think a couple really strong bits don’t quite make up for the episode’s weaknesses.
OK, not that we’re recording names, but I never commented on Jason Mamoa’s episode, so I’m back.
I just a few general remarks, I think I agree with the order of the sketches give or take.
So, musical numbers. This may sound like a high bar but songs sketches are always better if the song is catchy. Its not just a song with a funny premise, but a good song with a funny premise. TLI wer good at this. Chris Redd/Keenan were good at this. There were others. This naked in New York. I couldn’t pick it out of a line up. and thats to the detriment of the sketch.
So, PDD. There were good again this week, after having a few duds in a row. This is definitely a “they don’t have to be on every week” comment on my part. That said. This felt like the kind of pretape they could have doubled up on, and had a pretape from Punkies POV later in the show. No?
I’m not a fan of whatever variations they have of a cabaret band (It was only after listening to the SNN pod that I discovered this was a recurring bit) I just don’t really get it.
The issue with the Mama sketch was that Emma Stone looked significantly like Thomas Brodie-Sangster’s character in The Queens Gambit.
What else? Not much, I was expecting a disaster when I read the Twitter reviews, and when I finally got to watch it, it was not as bad as that.
Tina Fey is just funny!
Why was Emma Stone in Drag in that Mama Cass sketch? Also kinda weak 5th outing for Emma. Longfellow saved the show IMO.
Despite the quality of the episode. I can see this being the one Bowen submits for the Emmys next year
Hey Mr. Blood! My cable is working again so I was able to watch the rerun of this show a couple days ago.
And I can now say that it is the weakest show of the season so far. Not that it’s bad though, it’s just very hit-or-miss. The hits REALLY worked for me (including the best Update of the season so far imo), but the misses were BAD.
It was also my first time seeing one of those Kenan Reece sketches and I had NO idea what it was going for. I did however, have a higher opinion of What’s In The Kiln than you did. The script is really bad and all over the place but I really liked what Heidi, Chloe, and Emma were going for in their performances. It also seemed like (for the first time all season) that Michael was given stuff to do, which is always great.
Overall, kind of a disappointing episode, despite some great highlights.
My Overall Rating: 6.0/10
I loved even more than you will get done right here. The picture is nice, and your writing is stylish, but you seem to be rushing through it, and I think you should give it again soon. I’ll probably do that again and again if you protect this hike.